Muso Gonnosuke Katsuyoshi

Muso Gonnosuke’s Journey

Muso Gonnosuke Katsuyoshi
Muso Gonnosuke Katsuyoshi

In the world of martial arts, tales spin around legendary figures like Miyamoto Musashi. Yet, there’s a twist in the narrative – Muso Gonnosuke Katsuyoshi, an intriguing character who, according to legends, managed to defeat Musashi using an unusual weapon: a simple wooden stick.

The Mystery of Gonnosuke

Facts about Muso Gonnosuke’s life are sparse, wrapped in stories told by later generations. What we do know is that he studied various martial arts styles before facing off against Musashi in a historic duel.

Musō Gonnosuke Katsuyoshi, born into a samurai family, claimed lineage tracing back to Kiso Kanja No Taiyu Kakumei 1, a loyal follower of the renowned samurai general Minamoto Yoshinaka. Originally named Gonbei, Gonnosuke’s family supposedly descended from the classical period of samurai, with his early days marked by the use of his given name. Gonnosuke embarked on a warrior pilgrimage, following the tradition of musha shugyō 2, a common practice where samurai sought to enhance their martial skills through duels and by learning from various martial arts schools on the road. This journey was a prevalent approach among samurai aiming to refine their martial abilities.

The First Showdown

Around the year 1605, a pivotal moment unfolded in the martial arts world – the first encounter between Musashi and Gonnosuke. However, the details of this historic clash are shrouded in the mists of time, with conflicting accounts adding layers of mystery to the narrative.

According to one version, the confrontation took place in Akashi. In the heat of the moment, Musashi, armed with a stick, faced off against Gonnosuke and his wooden sword. The skirmish was swift, with Musashi’s precise strike leaving Gonnosuke lightly struck between the eyebrows. This version paints a vivid picture of the encounter on the grounds of Akashi.

On the other hand, the Annals of the Niten 3 (Niten ki), a traditional source detailing Miyamoto Musashi’s exploits, offers an intriguing alternative. According to this account, while Musashi was in Edo, a man named Muso Gonnosuke sought a match. Gonnosuke, armed with a bokuto (wooden sword), challenged Musashi, who, at that moment, wielded a willow bow. Musashi swiftly adapted, picking up a stick to counter Gonnosuke’s attack. The outcome was a single, decisive stroke that brought Gonnosuke down.

In this rendition, the setting shifts to Edo, adding a layer of complexity to the historical narrative. The discrepancy in locations highlights the challenges of reconstructing events from centuries past, where oral traditions and various written sources contribute to the rich tapestry of historical accounts.

Retreat and Revelation

Gonnosuke withdrew to a Shinto shrine at Mount Hōman in Chikuzen province, (modern-day, Fukuoka Prefecture), where he would practice daily in perfecting his swordsmanship, praying and performing Shinto purifying rituals for 37 days. It is also said, however, that he spent several years on the road studying other martial arts in various dojos until he ended up at the Shinto shrine. After one of his regular (exhausting) training sessions, he collapsed from fatigue and reputedly had a vision of a divine being in the form of a child, saying to Gonnosuke: “know the solar plexus [of your opponent] with a round stick”. In another version, he had the vision in a dream late at night. He took it upon himself to create the jo deliberately longer than the average katana of the day, 128 cm, as opposed to the sword’s total length of approx. 100 cm, and use that length to his advantage in a fight. Gonnosuke, drawing on his own considerable experience with the spear, longstaff, naginata, and sword, devised a series of jo-techniques for use to counter and defeat a swordsman. Arguably, he also developed techniques to target Musashi’s trade-mark X-block 5 .

Triumph with the Short Staff

Gonnosuke’s second duel remains a mystery. What we do know is that it led to the birth of Shinto Muso-Ryu Jojutsu, a remarkable staff art with five secret methods. This marked a turning point in Gonnosuke’s martial journey.

The outcome of the second duel, or even that a second duel occurred, is not conclusively known. The stick-fighting school he founded maintains that Gonnosuke, now armed with the jo, defeated Musashi through the use of the superior length of the jo to keep Musashi’s swords out of range of Gonnosuke and thus hinder him from using the X-shaped 5 technique effectively. Gonnosuke had Musashi at his mercy but let him live as a way of returning the favor granted in the first duel.

Outside of the stick-fighting schools, the claim that Musashi was ever defeated by Gonnosuke is denied, particularly by sword-fighting schools who maintain Musashi was never defeated in a duel. The claim is generally treated skeptically as there is no record outside of the stick-fighting school that a second duel ever took place. Another version of the story says that Musashi and Gonnosuke went into a deadlock, and the match ended in a draw, as no one could move without making an opening.

Shaping the Legacy

Shiraishi Hanjiro Shigeaki (1842 - 1927)
Shiraishi Hanjiro Shigeaki (1842 – 1927)

Initially exclusive to the Kuroda 4 samurai, Shinto Muso-Ryu evolved over time. Various masters introduced new elements, expanding its influence. Gonnosuke’s legacy lived on through dedicated successors, with Shiraishi Hanjiro Shigeaki playing a crucial role.

Modern Influence

Shimizu Takaji (1896–1978), Shintō Musō-ryū's 25th unofficial headmaster and the art's leading personality during the 20th century
Shimizu Takaji (1896–1978), Shintō Musō-ryū’s 25th unofficial headmaster and the art’s leading personality during the 20th century

In the 20th century, Shimizu Takaji emerged as a key figure. His efforts to spread Jojutsu in Tokyo brought about changes to make the ancient art more accessible. He introduced innovations like the 12 basic kihon methods, adapting the practice for a new era.

Jodo Goes Global

Shimizu’s international endeavors in the 1960s marked a new chapter for Shinto Muso-Ryu. The formation of the International Jodo Federation spread the art across Europe, the United States, and Southeast Asia, transcending cultural boundaries.

Shaping Character

Shinto Muso-Ryu isn’t just about techniques; it carries a philosophy. Practitioners are encouraged to develop character and avoid causing harm. In Shimizu’s words, “Jodo should be like a steering wheel, guiding one through the road of life.”

In martial arts, Muso Gonnosuke’s story weaves a unique thread, adding depth to the legacy of Shinto Muso-Ryu.

 

Thanks for taking the time to read this article.
Gert

 

Footnotes

1 Kiso Kanja No Taiyu Kakumei

Kiso: Likely associated with the Kiso region or clan in Japanese history.
Kanja: This may be related to the term “Kanjin,” suggesting a minister or official.
No: A possessive particle, indicating a connection or belonging.
Taiyu: Used as an honorific or title, denoting a high-ranking position or authority, possibly similar to “Governor” or “Lord.”
Kakumei: This could be a name or title associated with a person.

Putting it all together, “Kiso Kanja No Taiyu Kakumei” could be interpreted as a term associated with a person of authority or high rank (Taiyu) connected to the Kiso region or clan (Kiso), and possibly involved in ministerial or official duties (Kanja). “Kakumei” might represent a specific individual’s name or title.

2 “Musha Shugyō” is a traditional Japanese term that refers to a warrior’s pilgrimage or quest for martial and spiritual development. The term is composed of two components:

Musha (武者): “Musha” translates to “warrior” or “samurai” in Japanese.
Shugyō (修行): “Shugyō” refers to a period of intense and disciplined training or practice undertaken with the goal of personal and spiritual development.

Together, “Musha Shugyō” encompasses the idea of a warrior embarking on a journey or pilgrimage, often traveling to various locations, engaging in rigorous training, and seeking challenges to enhance their martial skills, discipline, and understanding of themselves and the world. It’s a concept deeply rooted in the samurai tradition and the pursuit of excellence in both martial and ethical aspects of life. The practice of Musha Shugyō was historically seen as a way for warriors to test and refine their abilities, gain practical experience, and cultivate a strong sense of honor and integrity.

3 Niten (Niten ki): “Niten” refers to the concept of using two swords simultaneously in Japanese martial arts, particularly associated with the legendary samurai Miyamoto Musashi.

4 The “Kuroda samurai” refers to members of the samurai class associated with the Kuroda clan. In feudal Japan, samurai were a hereditary military caste, and clans led by daimyos (feudal lords) often had their own samurai who served them. The Kuroda clan was one such samurai clan with its own warriors.

5 The fundamental technique of Musashi’s Niten Ichi-ryū is the X-shaped block, known as jūmonji (literally, cross). When utilizing jūmonji, it becomes crucial to assess the positioning of the two swords – determining which sword is atop the other holds significant influence over the appropriate countermove to employ.

 

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